I’m so busy right now I’d probably lose my head if it weren’t screwed on; in fact, I’m almost certain I’ve stumbled upon some unattended nuts and bolts, which makes me rather uneasy. The first performance of the Ministry of Cultural Warfare’s offering to the Twin Cities Chekhov Festival went swimmingly – we’ve got just two shows left, this Friday and the following Thursday. Fellow cast-member, Anthony Paul, and I took a little fieldtrip to the MPR studios yesterday to provide some ridiculously-accented shenanigans for their story.
This Saturday morning I’ll be flying to Columbus, OH, to perform Mrs. Man of God (the same show I did in Nashville this summer). That means attempting to keep Chekhov in my head while re-learning Mrs. Man of God and all the accompanying music. I predict nightmares involving embodiments of heavy Minnesotan and Russian accents dancing a furious tango, artfully stepping over my bruised corpse.
And I was cast in Frank Theater’s next show, Brecht’s Mr. Puntila and his Man Matti, which is supposed to start rehearsing this week, but I’m in the process of being replaced due to the schedule conflicts generously provided by the above-listed shows. I was thrilled to finally work with Wendy Knox, but it looks like it wasn’t in the starcards this time around. Alas.
And I’m house-sitting con perro, which means I don’t get to do any of this from the comfort of my own home. Nor with a good night’s sleep provided by my own bed. My own bed, where the bizarre noises can always be blamed on a neighbor with adjoining walls, rather than the inherent creepiness of settling single-family-homes.
Time to put on my game-face and SPARKLE! With JAZZ-HANDS! TA-DAAAA! File under “Faking it until One is Making It.”