2012 Minneapolis 48 Hour Film Project

I was delighted to join Steeltoe Stiletto Films for their entry into this year’s Minneapolis 48-hour Film Project.

Steeltoe Stiletto 2012
Steeltoe Stiletto 2012

And for the team’s efforts, Girls in Lane 4 garnered a Best Film nomination, which is no small beans - out of 68 entries, we were one of just 10 nominations. Ultimately, we walked away from the Best of Show screening with a coveted “Audience Favorite” award.

Audience Favorite Award
Audience Favorite Award

This is my second time participating in the Minneapolis 48-hour Film Project, and second time on an award-winning team – my first go-round was in 2006 with Climaxx Pictures’ Burnout Trail, awarded “Best Acting (Ensemble).”

Makes me curious about the kind of charm a third time would be.

Vita.mn - Work:

In early April I was contacted by the ever-delightful Jay Gabler about a little article he had successfully pitched to his editor at Vita.mn – a weekly arts and culture rag published by the Star Tribune. He was looking to feature my work as a voice-over artist and part-time pirate at the Science Museum of Minnesota in Vita.mn's weekly Work: column. We chatted casually on the phone shortly thereafter, followed by a lovely photo shoot at Babble-On Recording Studios with photographer Bre McGee. The following, published May 24, 2012, is the final result.

VitaMN
VitaMN

Star Tribune's weekly arts and culture rag, Vita.mn - 5.24.2012

Read the full article here.  Or, if the article has gone missing, as online articles are wont to do, check out the PDF here:  

I will admit that it’s somewhat surreal to be mentioned in print sans critique on the quality of my work as an artist. I’ve become so accustomed to being reviewed that this makes me feel rather adrift. Flattered, certainly; yet adrift. Even so, thanks, Jay. It's pretty killer that you found my work interesting enough to give it ink. So far, this is the most fun making a living that I've ever had.

Gruesome Playground Injuries

In my last greenroom entry, I mentioned a little show I was rehearsing called Gruesome Playground Injuries. In it, I said about rehearsals, “…it already feels like the most important stagework I’ve ever done so far. And to stumble and search and love and thrill and ache alongside the most talented Adam Whisner is a gift.”

It has indeed been a profoundly moving process, and one that I am thrilled to finally get to share with you. We open this Friday and run for just eight performances over two short weeks. I can say this in all earnestness: this one is not to be missed. The script is brilliant, and I would recommend you see it no matter who was in it. I just get to be the lucky girl this time around.

What’s it about? Gruesome Playground Injuries is the story of Doug and Kayleen, told over the course of 30 years between the ages of eight and 38. At times funny and sweet, at others heartbreaking, it’s an exploration of two lives and the pulsing connection between them, even when they’re apart.

Or, as the show’s official promo materials more succinctly state:

Gruesome Playground Injuries is a modern-day love story by Rajiv Joseph, United States Artists Rockefeller Fellow and Pulitzer Prize finalist (how does this guy not have a website?!), about the near-misses that pull us apart and the pain that keeps us together.

Who’s in it? Featuring Leigha Horton and Adam Whisner Written by Rajiv Joseph Directed by Natalie Novacek Presented by The Peanut Butter Factory

When is it? Friday, March 23 – Monday, March 26 Thursday, March 29 – Sunday, April 1 All performances at 8 pm

Where is it? Intermedia Arts 2822 Lyndale Avenue South, Minneapolis, MN 55408

How much? All tickets $10, cash or check, available at the door

Photos courtesy Richard Fleischmann Photography

A Day in The Life

If it looks like I was rehearsing Gruesome Playground Injuries last evening without pants - yes, pantsless -  it's because it was indeed a real possibility.  Last night remained fully clothed, but tonight - tonight is a different story.  As is tomorrow night.  And all rehearsal nights hereafter.

If I recall correctly, the least-clothed I've ever been on stage was in a slip.  So now, publicly dropping trou?  Practically begging the audience to examine my upper thighs under the glare of thousands of lumens?  This...this....hooooo boy...this is going to be painful.  But it's supposed to be, and therefore so profoundly worth it.

We've only just begun rehearsals, and it already feels like the most important stagework I've ever done so far. And to stumble and search and love and thrill and ache alongside the most talented Adam Whisner is a gift.

...

I love how this image is the perfect illustration of the breadth of work I engage in to make my living as an actor:
Pinocchio Audition Tomorrow - called in to the Children's Theatre Company to audition for a part that I knew would be absolute gold in the hands of the incredible Elise Langer.  It was, therefore, an immense joy to run in to her at the audition.  I did not receive a callback, and for that, I am convinced that all is still right with the world. Fingers and toes crossed for Elise.
Home and Garden Show - the Minneapolis Home and Garden Show, for which I did all the radio and TV voice-overs along with Ty Pennington (four years running!) was finally here.  I had every intention of attending, aaaaaaand ultimately missed it.  Which is exponentially more stupid this year because I finally have a house.
11a-4p  - SMM (Science Live 5) - my part-time performing gig presenting live science demos at the Science Museum of Minnesota (no pirating for me on Sundays).
7-10p - GPI rehearsal - the aforementioned Gruesome Playground Injuries rehearsal.  It feels good to be working on a proper show again.  I've whittled way back on my stage work - so it's a delight to be back in the rehearsal room.  Most especially with my cast-mate, director, and stage manager.  Good times, good times.

 

 

Real Pirates

National Geographic’s Real Pirates: The Untold Story of the Whydah from Slave Ship to Pirate Ship opened last weekend at the Science Museum of Minnesota to huge fanfare, and I’m thrilled to give you a sneak-peek. The exhibit boasts artifacts from the only authenticated pirate shipwreck found in U.S. waters – the former slave ship Whydah, captained by Black Sam Bellamy. There are 17 actors portraying a slew of real pirates from 1717 (although the fearsome Anne Bonny and Mary Read are triple-cast; and I’m the only bird to play both women). The pirates represented served aboard the Whydah, save for Blackbeard and the “ladies” who were contemporaries of Bellamy and his crew.

This galley, and the scurvy knaves aboard it, are not to be missed. Dead serious.

And without further ado – a tease of the treasures that await you: 

 

  Opening weekend lines to enter the Real Pirates exhibition. But in true piratical fashion, you'll be passing up these lines because you'll have plundered the tickets online first.

 

 

   Captain Blackfrog's Tavern.

 

 

Anne Bonny challenging you to a game of sheep's knuckles, Passage, or Ship, Captain, Crew. She fully intends to win all your rum. And if she doesn't - well - she's armed.

 

 

Recovered flintlock pistols.

 

 

Grenades. And the precursor to the modern stinkbomb. No lie.

 

 

The Whydah at port, waiting for you to sign the Articles and step aboard.

 

 

Anne Bonny, public menace.

 

 

The Whydah's hold.

 

 

Thomas Davis and Hendrick Quintor at work below decks.

 

 

Pieces of Eight. Many, many Pieces of Eight. Yes, it's all real.

 

 

Sufficiently enticed, mateys?  As ye should be.

 

 

The National

A couple weeks ago I voiced my first, truly national television commercial.  As opposed to what – an only-partially national television commercial?  Yeah, yeah, I’m kind of arguing semantics here: I’m making a distinction between a single spot that will play all over the U.S. (as this one is) as opposed to a slew of commercials that will play in specific markets all over the U.S. (as the Marketplace Events Home Shows spots with Ty Pennington are). So, behold – my first national television commercial.  For Land O’ Lakes butter:

I was surprised to learn from a few friends that it’s already airing – at least in Minneapolis and northern California, anyway.

You ever have one of those career-defining moments where you think, wow – I’m really doing this – this is, somehow, actually real - I’m making a living doing what I love?  Standing in the editing suite, post-recording, watching my VO dropped over the final picture and music for this spot was that moment for me. There are no words to adequately express the feelings of joy and satisfaction and peace and comfort and gratitude and place that accompany a moment like that. And so I'll just sit back and let it be.

Baby's First Screener

I love mail.  Love it.  And surprises such as this make me love it even more;  behold:

If it looks like a brand-new copy of The Help, mailed courtesy of the Screen Actors Guild Awards, it’s because it is.

One of the many benefits of SAG membership include an onslaught of free movies ‘round this time of year, all in hope of earning my vote.  Makes a girl feel special.

 

The Silver Lining

Hey, Science Nerds - this one's for you...and me, because I'm a Science Nerd, too.  Let's be nerdy together! (hugs, bashes glasses together)  Nerdery aside, I voiced this short documentary back in 2012 for the Museum of Life + Science in Durham, North Carolina on behalf of NISE Net (the Nanoscale Informal Science Education Network).  And yet I was remiss in not posting it at that time.  Forgive the oversight, and have a listen.  I guarantee you'll learn something that'll assuredly make for sexy cocktail party banter.  Because smart most definitely equals sexy.


2011 in Review

While relatively tedious to compile, I’ve come to love these year-end reviews.  They remind me that I actually make a living at my craft, no matter how insecure I get during the course of the year about my abilities or accomplishments (or seeming lack thereof).  Lists like these remind me that I am doing what I love, and am being rewarded for it.  Lists like these remind me that my career choice bought me passage into my very first house, all on my own, and keeps me there.

Because let’s be honest - there is always a point (or five) in the year when I panic.  I think, ohmygod, they’ve finally realized that I’m a total fraud and NOW I WILL NEVER WORK AGAIN.  EVER.  This happens regularly.  Without fail.  And then I end up inexplicably landing another incredible gig and think, oh, well, okay – maybe I’m not that bad.  It is a joy and an honor to be so lucky.

Without further ado, my performance highlights of 2011:

January Continued part-time work at the Science Museum of Minnesota on the Science Live team – performing live science demonstrations and science-related short plays for museum audiences.

Marketplace Events spots - third year running.  Ty Pennington and me on national TV and radio urging you to attend home shows across the U.S.  TV commercials aired on HGTV and ABC and their affiliates.  Recorded at Audio Ruckus.

VOs for General Mills, but I took very poor notes about this, and have no recollection of what it was for.  My guess is that it was, perhaps, some pickups for the 42 spots I did back in December for Progresso Light Soups, Yoplait and Yoplait Light Yogurts, and Big G Cereals national TV spots.  Note to self in 2012: take better notes.  Recorded at Babble-On for Shout! Creative.

February Script workshop and stage-direction reading for public presentation of Carson Kreitzer’s new play, Behind the Eye, as part of The Playwrights’ Center’s Ruth Easton series.  Funded by the National Endowment for the Arts and commissioned by the Cincinnati Playhouse in the Park for a world premiere in April.

Not much else to report other than travel to Florida.  It was warm.  I remember needing that.  Oh yes, and travel to Madison, WI, to teach museum-theater techniques to institutions across the U.S.

March VO for the trailer of TRIUMPH67, an independent feature-length film that went on to become the official selection of the Twin Cities Arab Film Festival.

Spent the day in studio at Minnesota Public Radio (MPR), recording the voice for a sultry character in The Winner, a pilot for Minnesota Stories – a new program dedicated to showcasing Minnesota writers.

VO for Target - a short film about inclusiveness called You Make Us.  Recorded at Audio Ruckus.

Maud Moon Weyerhaeuser Studio at Minnesota Public Radio

April Table-read of a new script by Patrick Coyle at The Jungle Theater.

The Winner, recorded in March, airs twice on Minnesota Public Radio.

May VO for Cadillac.  With Laurence Fishburne.  I played his talking GPS.  Recorded at Babble-On for Fallon.

I bought my very first house, all by myself.  I think this is what officially makes me an adult, but I’m still not quite sold on that idea.  The only reason I’m including this here, amongst my gigs, is because those VO gigs are what made this possible.

Home, in as many words.

June Script workshop and stage-direction reading for public presentation at the Playwrights’ Center of Scratch, a new play by Shira Naharit.

Started rehearsals for Minnesota Middle Finger, Ben San Del’s Minnesota Fringe Festival entry.  Yes, Fringe is in August.  We started way, way early because of everyone’s insane schedules.  I think when all was said and done we only had 12 rehearsals.

July VO demos for Hormel, recorded at Modern Music/Fischer Edit for BBDO.

Co-wrote and produced a short satirical 1950’s-style educational film, The Wonders and Worries of Nanotechnologyon behalf of the Science Museum of Minnesota for The Nanoscale Informal Science Education Network (NISE Net).  Film + Production by Teddy Media.

August 2011 Minnesota Fringe Festival, and my performance in Ben San Del’s Minnesota Middle Finger with the incomparable John Middleton and Tim Hellendrung.

VO spots (more, again) for Marketplace Events home shows with Ty Pennington – TV and Radio.  Continued airings on HGTV and ABC.  Recorded at Audio Ruckus.

Three-day script workshop at The Playwrights’ Center of Outcasts of Eden, a new play by Andie Arthur.

Served as host/barker for the AFL-CIO Labor Pavilion at the Minnesota State Fair, on behalf of AFTRA.

Cast in kaotic good productions’ The Cooking Show con Karimi & Comrades: Viva Las Roots! to be presented at Intermedia Arts in October 2011.

Script workshop at The Playwrights' Center

 

September Cast as both Anne Bonny and Mary Read in the Science Museum of Minnesota’s next major exhibition, Real Pirates, as well as cast in the publicity crew for advance event appearances.  Exhibition opens mid-February 2012.

Attended the 7th annual Ivey Awards – Minneapolis/St. Paul’s version of the Tonys.  Very, very swank.  Very, very inspiring.  I know I said that last year, but I still mean it.

VO spot for General Mills – radio spot for Yoplait Yogurt in the NYC market.  Recorded at Audio Ruckus for Shout! Creative.

Real Pirates coming soon to the Science Museum of Minnesota

October Cast in The Peanut Butter Factory’s next production, Rajiv Joseph’s Gruesome Playground Injuries – a two-person show with Adam Whisner to be presented late winter/early spring 2012.

Went on a three-day writing retreat to northern Minnesota with the company of kaotic good productions’ The Cooking Show con Karimi & Comrades: Viva Las Roots! to create character and storyline.

VO narration for short documentary Does Every Silver Lining Have a Cloud?, a look at the effect of nanosilver on the environment, created by the Museum of Life + Science in Durham, North Carolina, on behalf of the Nanoscale Informal Science Education Network (NISE Net).  Recorded at Babble-On.

VO for the National Marrow Donor Program’s annual council awards ceremony recognition film segments.  Recorded at Aaron/Stokes for Blue 60 Pictures.

Script workshop and stage-direction reading at the evening performance of Sarah Gubbins’ new work, The Water Play at The Playwrights’ Center.

Performances of kaotic good productions’ The Cooking Show con Karimi & Comrades: Viva Las Roots!at Intermedia Arts.

 

November Performances continue of kaotic good productions’ The Cooking Show con Karimi & Comrades: Viva Las Roots!at Intermedia Arts.

Got my eyes did.  Yep.  Lasik.  No more contacts or glasses.  This changes everything on stage and in the recording booth, for the better.

Spent the day at the Hennepin County Courthouse, serving as a key witness in Faegre & Benson’s mock trial program.

Spices in the Viva Las Roots! kitchen.

 

December VOs for Marketplace Events Home Shows with Ty Pennington – fourth year running!  Recorded at Audio Ruckus.

Appeared on Kare 11 News morning program as Anne Bonny, marketing for the Science Museum of Minnesota’s Real Pirates exhibition opening February 2012.

Script workshop and stage-direction reading at the evening performance of Kira Obolensky’s new play, Vasa Lisa at The Playwrights’ Center, co-presented by Ten Thousand Things.  Workshop in preparation for a late-spring full production by Ten Thousand Things.

Real Pirates get sassy with the news crew at KARE 11.

Epilogue 2011, you treated my career well, and for that I thank you.  2012, we’re going to roll up our shirtsleeves and till this soil for continued growth.  My last major career goal was to make my living as an artist, which I have been doing for the last few years; it’s time to dream bigger dreams.  And then run to catch them.

¡Viva Las Roots!

 

Mero Cocinero’s PopUpKitchen opens tonight at Intermedia Arts!  It closes Saturday, November 5 (si, that’s just one short week), so be sure to swing by for a killer four-course meal served up by Mero and the rest of his comrades (yours truly included).  Seatings are at 7 pm tonight and tomorrow, and then again Wednesday through Saturday, November 2-5. Reservations recommended but not required.

In true Dia de los Muertos tradition, we’ll be honoring our ancestors through food, telling stories, and cooking together – all with healthy doses of laughter.  It’s highly interactive, so we may just hand you a knife and ask you to chop tonight’s carrots with us.

For ticket information and further details, visit ¡Viva Las Roots! at Intermedia Arts.  See you on the other side, mis compañeros.  There, we shall dance together.

Car Sounds

A few weeks ago I voiced a cab-stealing, tiny-dog-carrying Manhattanite for Yoplait Yogurt, thereby effectively extending my car-themed run of VO work (did you miss the Cadillac commercial with Laurence Fishburne where I’m the voice of his talking GPS?  Good GOD, go listen!  It’s ridiculous!  And wonderful!  But mostly ridiculous!) Getting cast for this spot provided a funny realization - there were two spots – one for California, one for New York – and I was cast as the New Yorker.  Funny?  Funny how?  Funny because I was raised in San Diego.  California.  It ultimately made perfect sense as the client was looking for two different voices, and the Californian was the mother of teenagers (doubtful I could pull that off convincingly).  But funny the dichotomy of self-perception v. the perception of others.  Gotta say, I kinda love being considered a believable New Yorker.  It reminds me of the last time I was there, and constantly being asked for directions, even by local kids.  I was in it.  SO in it.

All in all, the session was a delight.  Spending the morning with the boys from Shout Radio Productions/Shout Creative ranks high on my list of good ways to wake up.  And by "boys," I mean "incredibly talented and accomplished adult men who are also super fun to work with."  Love those guys.  Love, love, love.

Now – some audio that’s good for your bones:

And yes, I know there’s 10 seconds of general silence at the end with just traffic noises in the background – that’s left open for local tags (“Yoplait is on sale now at your local [insert grocery store name here]”), and I presently have neither the patience nor the…well, just patience really…to edit that ten seconds out.  Too busy carrying my tiny dog around.

Stylist Love

Since last writing in August, I’ve participated as a performer in a 3-day script workshop at The Playwrights’ Center, served as the public host for the AFL-CIO Labor Pavilion at the Minnesota State Fair, recorded eight TV and radio spots for Marketplace Events home shows around the U.S., been cast in kaotic good productions’ next show in Minneapolis The Cooking Show con Karimi & Comrades: Viva la Roots!, been cast in the 2011 Playlabs series at The Playwrights’ Center, and been cast in the Science Museum of Minnesota’s next large-scale exhibition, Real Pirates: The Untold Story of the Whydah from Slave Ship to Pirate Ship. All of which I intend to write about.  Really, I do.

But today I need to share something far more immediate and pressing, and I shall preface it thusly: I would rather spend quality time with the hideous giant spider in my garage than plan, shop, and execute an ensemble for some fancy event.  Ensemble as in clothes, not as in performance group.  “But she dresses up for a living!” you say.  “This should be easy and fun for her!”  And to that I say, “Nope. It’s overwhelming. Also? Tedious.”

Don’t get me wrong – I enjoy a good dress and the tiny victory I feel in all the compliments that come with it (hell, I live in dresses in the summertime, but that’s because they’re complete outfits unto themselves – no planning required), but the process of figuring out an ensemble all by myself takes up valuable time that I’d rather spend doing something else.  For the love of god, anything else.  And now you understand my personal crusade to canonize all good costumers everywhere.

So the fabulous Ivey Awards are on Monday night.  Yesterday, I obtained an ensemble.  And could not, would not, have done so without the tireless determination of The Most Divine Miss Emily Taylor and her most appreciated stylist tendencies.  Sainthood is most certainly yours, my dear.

Behind the Theater

Another Fringe Festival notch on the belt, another wonderfully surprising success. Our show did exceptionally well, but more importantly I got to share the stage with two of the most delightful actors in the twin cities – Tim Hellendrung and John Middleton.  My god, those guys… love.  Just…love. The final numbers are in, and out of 167 shows and just over 48,000 tickets sold, Minnesota Middle Finger was #5 in ticket sales.  Audiences who chose to review our show gave us a solid 4.5 average rating out of 5 kitties (yes, instead of stars we have kitties; don’t ask).  We officially sold out twice.  We received the “encore” performance in our venue.  All in all, a pretty fine experience.

And so, a little photographic capsule of the past eleven days:

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And that, dear friends, wraps up another year.  Goodnight, sweet Fringe.  Sleep well, and dream inspiring dreams, for I long to see them breathe come morning.

Minnesota Middle Finger

My love for the Minnesota Fringe Festival runs deep. Unnaturally, gloriously deep. I’ve performed in every festival, save two, since 2000, and have written about it here since 2005 (save for a little, intended gap in 2009 coverage): 2000 – The Last Cherry Pit, Ministry of Cultural Warfare (MoCW) 2001 – Into the Acid Fountain (The Federico Fellini Variety Hour), MoCW 2002 – Slaughter House Warming, MoCW 2003 – Industrials, MoCW 2004 – In Defense of Sin (My Friends’ Best Stories), MoCW 2005 – served as The Voice of the Fringe for the official Fringe Festival podcasts (this also happens to be what launched my professional voice-over career, so I think this means I owe the Fringe my firstborn or something.  I can't remember.  I'll have to go back and check the paperwork). 2006 – The Unbearable Lightness of Being American, MoCW 2007 – The Tyranny of God’s Love, MoCW (appeared onstage via video, as was touring another show at the time) 2008 – blogged my brains out in exchange for a Fringe Press Pass 2009 – (just watched, and didn’t want to talk about it) 2010 – See You Next Tuesday, Walking Shadow Theatre Company

It is now a joy and a pleasure to add 2011 to the list:

2011 – Minnesota Middle Finger, Ben San Del

Tim Hellendrung, John Middleton, and I opened Ben San Del's Minnesota Middle Finger last night to a sold-out house, robust laughter, and excellent reviews. It's been such an honor to work with these delightful guys, and I cannot wait to see how the rest of the run plays out. Do come!

Sat., Aug. 6, 8:30 pm Sun., Aug. 7, 5:30 pm Thur., Aug. 11, 10 pm Fri., Aug. 12, 4 pm Sat., Aug. 13, 7:30 pm

Luxury, Laurence Fishburne, and Leigha

So, you know Laurence Fishburne?  Morpheus from The Matrix series?  Dr. Raymond Langston from the CSI: shows?  Well, he just happens to be the spokesman for Cadillac.  And it’s no wonder; the man is smooth.  So, so smooth.  

So you can imagine my mind-blown excitement when I got called in to voice his GPS for the new Cadillac radio ad “Shield/What Doesn’t it Do?”  The spots are now playing in New York and LA…I imagine they’ll work their way inward soon, but just in case you would prefer not to be surprised in your car, I offer the file for your personalized listening pleasure:

Teleportation mode initiated, indeed.

Writing Minnesota

A few weeks ago I was invited into the recording studios at Minnesota Public Radio (MPR) to work on a pilot program, Writing Minnesota.  I was joined by the immensely talented Patrick Coyle, Charles Fraser, Michael Booth, and Tena-May Gallivan to record a scripted version of Charles Baxter’sThe Winner.  I voiced the sassy seductress/Other Woman, Lorraine. Writing Minnesota will air Friday, April 15, at noon and Sunday, April 17, at 6 p.m. on Minnesota Public Radio News stations across the state – listen live (91.1 in the Twin Cities), or stream online.  UPDATE 4/16/2011: Writing Minnesota is now available for online listening!  You can listen to the whole program or just Charles Baxter's The Winner here.

And now, a peek inside the studio at MPR:

Maud Moon Weyerhaeuser Studio
Maud Moon Weyerhaeuser Studio

The last time I was in this studio was for a piano performance by Koji Attwood while he was in town for the Walker Art Center's Baryshnikov: Solos with Piano

B_IMG_3848
B_IMG_3848

Who knew MPR transports their artists to and from studio sessions via pneumatic tubes?

C_IMG_3875
C_IMG_3875

Koji's piano.

D_IMG_3852
D_IMG_3852

Could this be yet another Neumann condenser mic?  Why yes, yes it could.  I'm sensing a theme here.  As demonstrated by the lighting, you can see that the heavens also approve.

E_IMG_3857
E_IMG_3857

No separation between mics meant my stomach growling could ruin Charles' take.  I'm neither confirming nor denying whether that actually happened.

F_IMG_3853
F_IMG_3853

Nuemann condenser mic + windscreen.  This beauty deserves representation from all angles.  HOT.

G_IMG_3851
G_IMG_3851

Hanging up the headphones for the day.

On Target

Voiced-over a two-minute film for Target last week, entitled You Make Us.   In addition to being live at www.target.com/diversity, it's also hanging out on YouTube. Turns out this is what I sound like at 7 am.  Waitwaitwait - let me rephrase that - this is what I sound like when I'm awake at 7 am.

UPDATE - 1/11/2013:   In September 2012 we recorded a new, updated version of this video to take the place of the video linked above.  The updated video, entitled Anthemcan be seen by visiting Target's diversity site directly.