Leigha Horton :: Green room
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While relatively tedious to compile, I’ve come to love these year-end reviews.  They remind me that I actually make a living at my craft, no matter how insecure I get during the course of the year about my abilities or accomplishments (or seeming lack thereof).  Lists like these remind me that I am doing what I love, and am being rewarded for it.  Lists like these remind me that my career choice bought me passage into my very first house, all on my own, and keeps me there.

Because let’s be honest – there is always a point (or five) in the year when I panic.  I think, ohmygod, they’ve finally realized that I’m a total fraud and NOW I WILL NEVER WORK AGAIN.  EVER.  This happens regularly.  Without fail.  And then I end up inexplicably landing another incredible gig and think, oh, well, okay – maybe I’m not that bad.  It is a joy and an honor to be so lucky.

Without further ado, my performance highlights of 2011:

January
Continued part-time work at the Science Museum of Minnesota on the Science Live team – performing live science demonstrations and science-related short plays for museum audiences.

Marketplace Events spots – third year running.  Ty Pennington and me on national TV and radio urging you to attend home shows across the U.S.  TV commercials aired on HGTV and ABC and their affiliates.  Recorded at Audio Ruckus.

VOs for General Mills, but I took very poor notes about this, and have no recollection of what it was for.  My guess is that it was, perhaps, some pickups for the 42 spots I did back in December for Progresso Light Soups, Yoplait and Yoplait Light Yogurts, and Big G Cereals national TV spots.  Note to self in 2012: take better notes.  Recorded at Babble-On for Shout! Creative.

February
Script workshop and stage-direction reading for public presentation of Carson Kreitzer’s new play, Behind the Eye, as part of The Playwrights’ Center’s Ruth Easton series.  Funded by the National Endowment for the Arts and commissioned by the Cincinnati Playhouse in the Park for a world premiere in April.

Not much else to report other than travel to Florida.  It was warm.  I remember needing that.  Oh yes, and travel to Madison, WI, to teach museum-theater techniques to institutions across the U.S.

March
VO for the trailer of TRIUMPH67, an independent feature-length film that went on to become the official selection of the Twin Cities Arab Film Festival.

Spent the day in studio at Minnesota Public Radio (MPR), recording the voice for a sultry character in The Winner, a pilot for Minnesota Stories – a new program dedicated to showcasing Minnesota writers.

VO for Target – a short film about inclusiveness called You Make Us.  Recorded at Audio Ruckus.

April
Table-read of a new script by Patrick Coyle at The Jungle Theater.

The Winner, recorded in March, airs twice on Minnesota Public Radio.

May
VO for Cadillac.  With Laurence Fishburne.  I played his talking GPS.  Recorded at Babble-On for Fallon.

I bought my very first house, all by myself.  I think this is what officially makes me an adult, but I’m still not quite sold on that idea.  The only reason I’m including this here, amongst my gigs, is because those VO gigs are what made this possible.

June
Script workshop and stage-direction reading for public presentation at the Playwrights’ Center of Scratch, a new play by Shira Naharit.

Started rehearsals for Minnesota Middle Finger, Ben San Del’s Minnesota Fringe Festival entry.  Yes, Fringe is in August.  We started way, way early because of everyone’s insane schedules.  I think when all was said and done we only had 12 rehearsals.

July
VO demos for Hormel, recorded at Modern Music/Fischer Edit for BBDO.

Co-wrote and produced a short satirical 1950’s-style educational film, The Wonders and Worries of Nanotechnologyon behalf of the Science Museum of Minnesota for The Nanoscale Informal Science Education Network (NISE Net).  Film + Production by Teddy Media.

August
2011 Minnesota Fringe Festival, and my performance in Ben San Del’s Minnesota Middle Finger with the incomparable John Middleton and Tim Hellendrung.

VO spots (more, again) for Marketplace Events home shows with Ty Pennington – TV and Radio.  Continued airings on HGTV and ABC.  Recorded at Audio Ruckus.

Three-day script workshop at The Playwrights’ Center of Outcasts of Eden, a new play by Andie Arthur.

Served as host/barker for the AFL-CIO Labor Pavilion at the Minnesota State Fair, on behalf of AFTRA.

Cast in kaotic good productions’ The Cooking Show con Karimi & Comrades: Viva Las Roots! to be presented at Intermedia Arts in October 2011.

September
Cast as both Anne Bonny and Mary Read in the Science Museum of Minnesota’s next major exhibition, Real Pirates, as well as cast in the publicity crew for advance event appearances.  Exhibition opens mid-February 2012.

Attended the 7^th annual Ivey Awards – Minneapolis/St. Paul’s version of the Tonys.  Very, very swank.  Very, very inspiring.  I know I said that last year, but I still mean it.

VO spot for General Mills – radio spot for Yoplait Yogurt in the NYC market.  Recorded at Audio Ruckus for Shout! Creative.

October
Cast in The Peanut Butter Factory’s next production, Rajiv Joseph’s Gruesome Playground Injuries – a two-person show with Adam Whisner to be presented late winter/early spring 2012.

Went on a three-day writing retreat to northern Minnesota with the company of kaotic good productions’ The Cooking Show con Karimi & Comrades: Viva Las Roots! to create character and storyline.

VO narration for short documentary Does Every Silver Lining Have a Cloud?, a look at the effect of nanosilver on the environment, created by the Museum of Life + Science in Durham, North Carolina, on behalf of the Nanoscale Informal Science Education Network (NISE Net).  Recorded at Babble-On.

VO for the National Marrow Donor Program’s annual council awards ceremony recognition film segments.  Recorded at Aaron/Stokes for Blue 60 Pictures.

Script workshop and stage-direction reading at the evening performance of Sarah Gubbins’ new work, The Water Play at The Playwrights’ Center.

Performances of kaotic good productions’ The Cooking Show con Karimi & Comrades: Viva Las Roots!at Intermedia Arts.

November
Performances continue of kaotic good productions’ The Cooking Show con Karimi & Comrades: Viva Las Roots!at Intermedia Arts.

Got my eyes did.  Yep.  Lasik.  No more contacts or glasses.  This changes everything on stage and in the recording booth, for the better.

Spent the day at the Hennepin County Courthouse, serving as a key witness in Faegre & Benson’s mock trial program.

December
VOs for Marketplace Events Home Shows with Ty Pennington – fourth year running!  Recorded at Audio Ruckus.

Appeared on Kare 11 News morning program as Anne Bonny, marketing for the Science Museum of Minnesota’s Real Pirates exhibition opening February 2012.

Script workshop and stage-direction reading at the evening performance of Kira Obolensky’s new play, Vasa Lisa at The Playwrights’ Center, co-presented by Ten Thousand Things.  Workshop in preparation for a late-spring full production by Ten Thousand Things.

Epilogue
2011, you treated my career well, and for that I thank you.  2012, we’re going to roll up our shirtsleeves and till this soil for continued growth.  My last major career goal was to make my living as an artist, which I have been doing for the last few years; it’s time to dream bigger dreams.  And then run to catch them.

This evening brought a thrilling two-part televisual surprise:

I arrived home to find the TV on, muted, with a rerun of the American version of The Office bumbling along (nothing terribly remarkable about that – but wait! There’s MORE!). TBS then broke for commercials and I was blindsided by the trailer for Rango – the new animated film starring Johnny Depp as a gecko; the very same animated film that features my longtime soul-friend Rick Garcia’s music and singing voice of the mariachi owls.

I damn near burst with pride.

And just when I thought I couldn’t have been more pleased – I noticed that the trailer was directly followed by one of my Yoplait Light yogurt commercials. I don’t do the main VO, mind you, just the tag at the end – “Find Yoplait Light cups on sale this week at your neighborhood Albertsons” (or Jewel-Osco, or Acme, or Cub, or Farm Fresh, or Shaw’s, or Kroger, or Fry’s, or King Soopers, or Smith’s or what have you).

But still! Following the incredible talent of my dearest Rick (and, of course, Johnny Depp – I mean, HELLO!) on national TV was pretty freaking sweet. And made mid-winter Minneapolis just a little bit warmer, starting with my heart.

Awwwww.

But seriously, I mean it.

Just found this little gem of an article about SAGIndie’s involvement at Sundance this year, and what SAGIndie does in general:

“Our function is strictly to educate independent filmmakers on how to hire professional talent for independent film and to explain to them how it can be done economically.”

I’ve reviewed the SAGIndie contracts recently and they are, quite frankly, fantastic.  And it’s reassuring to learn that SAGIndie is willing to go further than just plunking down a contract on a table.

Why don’t I read Backstage on a regular basis?  Seriously – it’s kind of ridiculous all the things that I ought to do as a professional performer, yet don’t.  Being a new member of the Screen Actors’ Guild has brought on a spate of useful and surprising information.  And I’d be remiss if I didn’t say I was a little stupidly giddy about it.

End-of-year lists can be so tedious.  I know this.  And yet here we are.  Because the only thing more tedious than end-of-year lists is searching for some documentation of some thing that happened a year or two or three ago, and not being able to find anything about it because I was too lazy/tired/overjoyed/myopic/disassociated to actually write about it.  I therefore offer up this end-of-year list as a compendium of my professional shenanigans so that searching for them in the future won’t drive me crazy.  You’re welcome, Me. Be sure to thank me later.

In 2010 I made my living in front of an audience and behind the mic.  And for that I am so deeply in awe.  So deeply grateful for my fortuity.  While our economy is not nearly as bad as 2009, it’s still in terrible disarray and record numbers of people are still unemployed.  Even so, I was able to make a modest living via my profession; a modest living that didn’t require me to engage in morally questionable behavior (the kind where one would accompany a raised eyebrow with ‘actress’ in air-quotes).

Without further ado, my performance highlights of 2010:

January

• Voice-overs for ParentAwareRatings.org (listen).
• Voice-overs for St. Catherine University (listen).  Turns out a friend heard the spot multiple times and never realized it was me until I mentioned it on Facebook.  I kind of like it when that happens.
• Finished the six-month run of Titanic: The Artifact Exhibition at the Science Museum of Minnesota.  I spent part of my weekdays engaging with the general public as Nurse Evelyn Marsden – sharing, in a darling English accent, her experiences aboard the ship in the first-class cabins and hospitals.  I was sad to say goodbye to her.
• Voice-overs for Marketplace Events -  2nd year in a row (listen).  Ty Pennington and me on national TV and radio urging you to attend home shows all around the U.S. (watch)  TV commercials aired on HGTV and ABC and their affiliates.

February

• Began rehearsals for the Science Museum of Minnesota’s next exhibition – The Dead Sea Scrolls: Words That Changed the World, wherein we would perform a three-minute introductory monologue for visitors every 7.5 minutes.  In all honesty, it was mind-numbing, but the visitors were mostly appreciative.
• Interviewed by Minnesota Public Radio’s Chris Roberts about my line-memorization techniques – ultimately compiled into a clever on-air story and accompanying slideshow with fellow actors Steven Epp, Mo Perry and Clarence Wethern.
  
• The Big Oscar Crunch 2010 – wherein I try to see as many of the Oscar-nominated films as humanly possible before the awards ceremony.  The fun of doing it that way is not only seeing excellent movies, but actually feeling invested in more than just the red carpet.
• Started rehearsals for Spring of Freedom/Summer of Fear – a new Iranian play by Ali G. Ravi , produced by Table Salt Productions.
• VO gig for Carlson Companies – got to put Nurse Evelyn Marsden’s darling English accent to good use.

March

• Devastated to drop out of Spring of Freedom/Summer of Fear due to a harrowing family crisis which, because it apparently wasn’t bad enough, led to a nasty case of shingles.  Yes, shingles.  Probably the worst three weeks of my adult life to date.
• Called in by the lovely Barbara Shelton at Bab’s Casting to audition for a new WB pilot Mike and Molly.  The network was looking for someone 30 pounds overweight.  I was exactly that (not anymore, thanks to a newfound love of yoga), and so happily went in.  Between the script (and the eventual casting choice), it became quite clear that LA thinks 30 pounds overweight is the same thing as obese.  Surprising?  Not really.
• Called in by the Guthrie Theater to audition for the role of Eunice in Streetcar Named Desire.  Almost missed the e-mail because I assumed it was Guthrie marketing spam and was about to delete it.  Didn’t recognize the sender’s name, though, so opened it.  Close call.
• VOs for Nexxus demos/animatics.  These are voice-overs for a concept by the ad agency for the client.  If it gets approved by the client, the agency then films the spots.  Since I almost never watch commercial TV, I have no idea if these ever made it though the pipeline…my guess is no (especially since many of these were the same as, or similar to, the ones I did in April 2009).

April

• VOs for Nexxus demos/animatics – two more sessions.
• Public reading of Casa Cushman, a new work by NYC’s Tectonic Theater Project (the folks who brought you The Laramie Project, at the University of Minnesota Nolte Center.

May

• Crickets. Both figurative and literal.  Aside from live science demonstrations at the Science Museum of Minnesota, it appears that I did nothing performance-related in May.  And I went camping.
• On Tuesday, May 11, amongst of a jumble of scheduled meetings and things to do, I found written in my calendar, “Hell-cat Maggie and Slops McConnell.”  I have no idea what that means, but I think it’s funny, so thought I would share with anyone who is still reading by this point.  Kiss, kiss.

June
More crickets.  Figurative.  See May.

July

• Started rehearsals for See You Next Tuesday, my very first show with Walking Shadow Theater Company.
• Three-day script workshop of Trista Baldwin’s stunning Forgetting at The Playwrights’ Center.

August

• 2010 Minnesota Fringe Festival, and my performance in Walking Shadow’s critically acclaimed See You Next Tuesday.  I was so excited to be back at the festival that I advance-purchased an Ultra Pass, with which I ended up only seeing three shows due to an emergency hospital visit and an emergency vet visit.  2010 was not turning out to be a great year for health.
• VO spots (more, again) for Marketplace Events home shows with Ty Pennington – TV and Radio (listen).  Continued airings on HGTV and ABC.

September

• VO spots for General Mills – TV tags for Totino’s Party Pizzas (listen).
• Attended the (somethingth annual) Ivey Awards – Minneapolis/St. Paul’s version of the Tonys.  Very, very swank.  Very, very inspiring.
• VO spots for General Mills – TV tags for Progresso Soup (listen).

October

• Obscenely busy month that had almost nothing to do with performing.  Included business travel to San Francisco for continued work on behalf of the Science Museum of Minnesota for NISE Net (Nanoscale Informal Science Education Network), with a little leisure travel to San Diego and LA on the side.
• No! Wait!  Because of my General Mills VOs in September, this is the month that I was required to join the Screen Actors’ Guild (SAG)!  That’s right, I got my SAG card in October.  October was not an actorly loss, after all.

November

• Started rehearsals for a three-week, 30-hours/week workshop of Casa Cushman – in collaboration with NYC’s Tectonic Theater Project, choreographer Carl Flink, University of Minnesota Department of Theater Arts and Dance, a couple other U of M departments that I can’t recall at the moment, and The Playwrights’ Center.
• Sent live the brand-spankin’-shiny-new leighahorton.com.

December

• Performance of Casa Cushman at the Northrop Auditorium.  This was a wild ride, and at the end of it all, despite some crazy-cray-cray, it was kind of awesome.  And I kind of loved it.
  
• VOs for General Mills (42 in total) for Progresso Light Soups, Yoplait and Yoplait Light Yogurts, and Big G Cereals national TV spots.  I just about died and went to heaven.
• VOs for Marketplace Events Home Shows with Ty Pennington – third year running!
• Authored and published a children’s book for NISE Net, Alice in Nanoland, which, as you read this, is being mailed to 200 informal science education institutions (science museums, children’s museums, etc.) across the nation in the 2011 NanoDays kits.  What a curious little experience that was.

And there we have it!  The months of 2010 demonstrate both feast and famine and average out to healthy; December being, by far, the most entertaining (well, for me, anyway).  I continue to stand, mouth agape, at the wondrous profession I have chosen and the beautiful trajectory it has taken thus far.  I cannot wait to see what delightful paths await!

Taxes. Bleh. I’m not going to wax poetic about the royal pain in the hoo-ha that is filing taxes every year – especially actor taxes that come in the form of a slew of W-2s and 1099s, a kajillion itemized deductions, and a bevy of industry-specific tax questions that tend to escape the expertise of the average tax preparer. Instead, I plan to arm you with the best resources I have:

ONE – Fox Tax. These fellows know their business. They know artists. They specialize in artists. They’re affordable to artists.

TWO – Actor’s Tax Tips. Free! A brand spankin’-new blog by local actor and tax whiz and all-around responsible and intelligent guy, Mark Bradley.

THREE – The Actor’s Tax Guide. Not free! But totally worth it! Chock-full of industry-specific tax info for you, handy-dandy worksheets, organizational advice, AND tax-deductible! By the aforementioned Mark Bradley. And he’s local, so if he steers you wrong, you “know where to find him.”

FOUR – Backstage.com’s Actors’ Assets. I just found these articles today when looking up what it means to be a “Qualified Performing Artist.” They’re well written and quite informative. I must say, though, $16,000 cap on your adjusted gross income?! What a joke. Too bad “Qualified Performing Artist” and “Successful Performing Artist” seem to be mutually exclusive.

If you, too, have a little bundle of actor tax preparation secrets up your sleeve, by all means, do share. Misery does love its company, does it not?

Oh dearest 2009, how I neglected to give you a proper adieu. But because I always need to have the last word, your shenanigans shall not go untouted nor unscathed. This here is my farewell parting shot:

The past year brought a load of work, a load of appreciation for the work I was getting, and one giant, lazy attitude toward writing about it.  Of particular note, midway through 2009 I was able to make a return to performing for a living.  “What?  What do you mean?    Actresses in the Twin Cities aren’t filthy stinking rich and famous?!”  Surprisingly, no, not so much.  See, periodically a girl like me is obliged to suck it up and take a part-time “day job” to keep some steady cash rolling in while filling in the rest with voice-overs and stage work.  What is this world coming to?

What happened was this: in June I was cast as Nurse and First-Class Stewardess Evelyn Marsden in Titanic: The Artifact Exhibition at the Science Museum of Minnesota, as well as joined the museum’s Science Live Theater cast. When at the museum, but not in 1912 costume, I bust out my mad knowledge of nanoscience to thwart an Evil Scientist From The Future, as well as demonstrate the important properties of surface area by blowing giant fireballs and discussing chemical reactivity.  It has been a joy to perform regularly for the (what by now must be) thousands of audience members taking an interest in science.  Additionally, I am responsible for coordinating and moderating public forums for adults about nanoscale science on behalf of NISE Net (Nanoscale Informal Science Education Network).  Moreover, it’s less than part-time, and voice-overs and stage work really ARE filling in the rest.  Even in this wretchedly hobbled economy.  My stars are indeed lucky.  And I thank them regularly.

So here, for posterity, are my performance highlights of 2009:

January
Marketplace Events spots – Ty Pennington (that dude from Extreme Makeover: Home Edition) and me on TV and radio urging you to attend particular home shows here and there in the U.S.  TV commercials aired on HGTV and ABC and their affiliates.  Read more about my sister’s hilarious request.

February
Nothing of note – sometimes that’s a good thing.  Looks like I was in rehearsal.  Not always a good thing.

March

• Performances of Adam Szymcowicz’s The Captivity Plays at the Bryant Lake Bowl
• After 18 months of pain in the form of oral torture, treatment was completed and my braces were removed.  I was rewarded with awesomely perfect teeth and new-found confidence.  Join me in reliving my happy dance.
• Supervalu spots – radio spots for grocery stores around the U.S. – Albertson’s, Lucky, Supervalu, Shaw’s/Star Market, Cub Foods, Jewel-Osco, Kroger, Hornbacher’s, etc.

April
Nexxus spots – I don’t believe these were ever aired – just voice-overs for a concept by the ad agency for the client.  If it was approved by the client, the agency would then film the spots.  Since I almost never watch commercial TV, I have no idea if these ever made it though the pipeline…my guess is no.

May

• Played Nerve 123080 in full-length feature film, The System, with Voices Media, Inc. – the same folks who brought you the award-winning web-series Chasing Windmills.  Devilish early morning feats trumpeted here.
• Joined Twin Cities AFTRA Board.

June

• Caroline or Change, The Homosexuals’ Guide to the Universe, Tiny Kushner – now these didn’t involve me at all, save for my presence in the audience.  But I found the first two to be incredibly moving, incredibly powerful pieces of work.  And I was thrilled that Minneapolis was able to honor such a fantastic playwright in this way, and that such a fantastic playwright got to workshop a brand-new play in our fine city.
• Titanic: The Artifact Exhibition opens at the Science Museum of Minnesota.  This is my new “day job” wherein I get to spend part of my weekdays engaging with the general public and informing them about Miss Evelyn Marsden’s life and the hospitals aboard the ship in a darling English accent. Personal ship preparation stories here.
• United Health Care spots – my first political spots, something about calling your congresspeople somewhere in New England. Connecticut maybe? Urging you to take a particular stand on some kind of health care legislation.  Don’t remember the particulars, but got to work with the guys at Shout.  And I absolutely adore Mark Benninghofen, so it was a joy.

July
Joined the Science Museum of Minnesota to work on NISE Net (Nanoscale Informal Science Education Network) projects – both performing live stage plays and demonstrations that deal directly with nanoscale science, as well as coordinating and facilitating adult public forums about nanoscale science.  This is only 10 hours per week, and I love it.  And it makes me feel a little closer to my scientific heroes of audio over at RadioLab.  And to paraphrase the words of my delightfully brilliant colleague Michael Ritchie: I realize that my day job can never be bad, because I work in a place with musical stairs.

August

• Fringe Festival fail – this was hard.  This was very, very hard.  The Ministry of Cultural Warfare, the company I have both figuratively and literally sweat and bled for since 2000, planned to do a show.  Due to a Perfect Storm of really crappy circumstances, I had to remove myself from the process, and we ultimately had to back out of the festival at a late date.  It was heartbreaking, and the fallout was equally heartbreaking.
• Marketplace Events radio and TV spots – the plus side of August was that Ty Pennington had some more home shows to promote, so it was back into the studio to add my special female aural sparkle.
• The Minnesota State Fair – I spent an afternoon as host of the Labor Pavilion at “The Great Minnesota Get-Together.”  They gave me a wireless mic, put me in a Green building and the adjacent pavilion, and let me loose amongst the various Labor kiosks and the throngs of fair-goers.  There was trivia, there were hand-crafted on-the-spot copper roses, there were nurses and flight attendants and machinists and steel workers and everything in between.  At the end of my shift, they snapped a photo which made its way into the national AFTRA magazine.

September
I spent nearly half the month on the road, traveling to Seattle, Portland, and San Francisco – this was for my work with the Science Museum of Minnesota on behalf of the Nanoscale Informal Science Education Network (NISE Net), and it was incredibly inspiring.  It did indeed involve some performing, but it also involved meeting with social scientists to consider the social, political, and ethical implications of nanoscale science, and how to get audiences considering these aspects, as well.  We also met for the purpose of setting goals for years 6-10 of NISE Net’s grant funded by the National Science Foundation, and it involved learning how other organizations engage audiences in learning about nanoscale science.  Inspiring, and the locations were fantastic.  I love the Pacific Northwest.

October
Lead role of Hannah in Table Salt Productions’ inaugural show, Burned at the Gremlin Theatre.  Nothing like spending an hour before each performance putting glue on my face, letting it dry and manipulating it and coloring it to make it look like nasty scar tissue.  While it was a serio-comic post-apocalyptic tale, it was a joy to make a foray back into dramatic work.  Read a little more about it.

November

• Workshop and public reading of Dog and Wolf – an incredibly well-crafted, powerful,  and riveting play about a Bosnian refugee by Catherine Filloux, in which I played the lead, Jasmina.  This play is being produced Off-Broadway this February.
• My first public nanoscience forum about privacy, civil liberties, and nanotechnology.  It was a small group of about 15 people, but helped me get my feet wet.  Now that I’ve done something in the accepted mold, I can hack it and make it more interesting, accessible, and engaging.  Watchout Twin Cities – you’re about to get schooled in nano.

December

• more Marketplace Events spots – this time for home shows around the U.S. in 2010.
• Caribou Coffee spots – The tone and delivery in these spots makes me feel like we’re sitting on a front porch swing, lazing the day away.  And they’re all about handcrafted oatmeal.  And I got to spend some good time with my friends over at Babble-On Recording studios.  I love those engineers.
• General Mills spots for Tuesday Taco Night - you know you’ve made it when your VOs keep getting interrupted by a mariachi band.  Plus more time at Babble-On!  Whee!

Plenty to share for January already – but it’s a new year, so it gets a new post.  Here’s looking forward to a peaceful, prosperous 2010.  And I’ll actually work on getting all of these 2009 (and future) voice-over spots posted for your listening pleasure.  It’s not as hard as I make it sound, and yet here we are.  Soon, I promise.

I got up at 6:30 am last Sunday. For anyone who knows me, this is medal-worthy in and of itself. I got in the car and I drove it at 7:50 am.  Miraculously without incident, I was on location by 8:15. I was acting for the camera by 8:45 am; reciting lines that had been mostly memorized, improvising on command, even.  The issue with all of these things is two little letters – a and m, put together.  Yeesh.  Perhaps a modest 2,000 lb commemorative statue erected downtown is a more proper reward-to-accomplishment ratio.

All this early morning insanity was for my role as Nerve 123080 in The System, Cristina Cordova and Juan Antonio del Rosario’s latest adventure – a feature-length independent film “in which a red blood cell and a neurotransmitter set out to save the world.”  It is, of course, about many other things – the effect of cocaine on the body, class warfare, socialism v. capitalism…I could go on, but I won’t, because you just need to see it and I can assure you it will be good.  Juan Antonio and Cristina, as you’ll recall, were my directors for Chasing Windmills, the web series in which they also played Q and D, respectively.  I adore them, and I adore working with them – so an 11-hour good-time was had by all.  Yep, 11 hours for me that day.  11 hours that led to the introduction of some seriously first class actors and some actors who are seriously first class people.

One of the highlights of my afternoon involved fellow actor Sean Erik Hoffman (in the role of Sacco) making up a hilarious 1980s-style sitcom-opening-credits-song about Trotsky (played by Gary Keast who had just finished rocking the hell out of his Big Speech) – Sean did a little dance and sang, “if you’ve got a pizza, he’ll share it with your friends! – TROTSKY!”  Picture a stoic Trotsky walking along a sidewalk, suddenly jumping into the air, clicking his heels together, arms spread wide – freeze frame.   We found it hilarious.  Perhaps you had to be there.  We were punchy.  Sacco also nicknamed me Nervil, which was just shy of completely adorable.

To wrap up the day, sweet Cristina gently touched a finger to my forehead and said, “don’t forget you have this on” – she was referring to the barcode that had been stamped and re-stamped there throughout the day.  Only the Nerves (there were three of us) were stamped…I guess I felt special, so I kept it on until I got home, when I tackled it with makeup remover.  And yet it remained.  Then I tried Aloe.  Didn’t work.  Soap.  No dice.  Baby oil.  Denied.  I posted about it on Facebook and got a speedy reply that led to toothpaste.  It stung a little.  And it worked.

Anyway, keep an eye out for this puppy’s release. It was a hell of a lot of fun to film (Juan Antonio and I tend to get a little giggly when we’re supposed to be working together), and I imagine it’ll be a hell of a lot of fun to watch. In the interim, you can follow the film’s progress via the blog and Twitter.