A couple of weeks off is definitely enough time to get into scads of trouble… here’s what I’ve got my mitts into these days:
Saturday, March 25 (through June 18)
My disembodied voice will be on the wall at the Walker Art Center as part of its newest exhibition, OPEN-ENDED (the art of engagement) – just find the photographs of skyways and icehouses by Catherine Opie and nearby will be a listening-station where you can hear me read an ice-fishing story or two by local authors (this was from a public reading that I did for Opie’s residency in 2002; recently re-recorded in the studio over at Undertone by my friend, Mr. Tom). This, friends, is the one time where snowpants = sexy.
Monday, March 27
Filming a short PSA for Foster and for equality. It’ll be broadcast on the web at some point in the near future; link to snarky political statement to follow.
Getting interviewed for the April edition of the Lipservice Talent Guild podcast. It’s like my Lipservice quinceanera! Except I’m not 15 and I’m not Mexican. Okay, it’s like my Lipservice Bat Mitzvah! Wait – not 13, nor Jewish. Damn. What coming-of-age celebrations do they have for Irish/Hungarian/German/Russian Americans besides getting blitzed at prom? On second thought, don’t answer that.
Tuesday, March 28
Public reading of The Lost and Found, a new screenplay by James Byrne. Someone recently dropped out, so I will be reading several roles. Come watch me use funny voices so you can tell them all apart! Kidding, Mr. Byrne. 7 pm at The Varsity Theater in Dinkytown if you’re looking to hash up some college nostalgia; be ready with your joneses for coffee and exercises in futility.
Sunday, April 2
Screening of The Monster of Phantom Lake at the Faux Film Festival in Portland. I have family in Portland. Family, if you love me, you probably shouldn’t go to this. Our very special screening is called the B-Movie Massacre for a reason. There will be improv comedians “improving” the script, as it were. B-Movie? Check. Massacre? Check.
Saturday, April 8
Callbacks for a new low-budget (but paid) feature-film, The Completely Remarkable, Utterly Fabulous Transformation of a Regular Joe. I’ve read some of the sides and I’m already getting invested in it… I hate it when I do that. Getting invested is not acceptable unless I’ve been cast. Gah.
Wednesday, May 17
The Monster of Phantom Lake returns to The Heights Theater – back by popular demand! You’ve asked for it, and the people who can make it happen made it happen. So for those of you who had to leave early to shoot a basketball game and didn’t get to see the end, or were out of town, or were in a show, or, ahem, said you’d show up and then didn’t (you know who you are; and you should know that you’ve earned yourself the title of Chump for that little stunt) – you’ve got another chance! Cast the weight of Chumpiness aside! Redemption in the form of pure entertainment can be yours!
Saturday, June 3
I’ll be wearing my best Appropriate for Children Disguise while reading Pinocchio the Boy: Incognito in Collodi to a bunch of youngsters as part of the Walker Art Center’s Free First Saturdays program. I will be reading the book aloud, playing several characters – come watch me use funny voices so you can tell them all apart! Not kidding, Mr. Byrne.
The Minnesota Fringe Festival returns. And so does the Ministry of Cultural Warfare. YAAAAAAAAAAAAAAAAAAY! Some of you have recently been surprised to learn that I’m part of that company. Part of it? Hell, I’m Foster’s slave-driver (Write me a script! And make it good!)…seriously though, he’s the Artistic Director, and I’m the Executive Director and Stage Hog, which means he writes the good stuff, and I make sure people see me in it. Here’s a photo of an, um, elated Foster once he heard our name announced at the Fringe lottery! So what is MoCW going to present at Fringe this year? It’s a surprise! To us, too!
While I shared all of the above so that I could be instrumental in getting you away from the computer and into an active role as part of the arts community, I also did it to prove to myself that I’m a working actor. Sometimes I freak out about stagnancy. List compiled = freak-out averted. Mostly. There are some awfully obnoxious gaps between the April and May gigs, and again between June and August. Perhaps those would be good times to go to New York and San Diego, respectively. Yes. Freak-out officially averted.