About the Green Room

In theatre, the green room is where performers wait to go on stage - its energy consists of excitement, nervousness, anticipation, joy, fear, and any number of things to explain the 'green' - from nausea to envy. This green room is updated weekly and gives a behind-the-scenes look at the profession - the auditions, the castings, the rejections; the gigs that fail and the gigs that fly.

Leigha Horton Leigha Horton is a professional actress residing in Minneapolis, Minnesota, and a member of the Screen Actors Guild (SAG) and the American Federation of Television and Radio Artists (AFTRA). For voice and on-camera booking information, please contact Wehmann Talent Agency. For non-union stage booking information, please contact me directly. Headshot, resume, and voice-over demo can be downloaded at www.leighahorton.com.

(photo: Craig VanDerSchaegen)


July 2008
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July 30, 2008

Greenroom on the Fringe

Filed under: Fringe 2008 — Leigha @ 5:48 pm

Grab your Vitamin Water and Cliff Bars and tough up your butt bones – the Fringe Festival is nigh! The 11 glorious, sweaty days of performance presented in 60-minute nibblets starts *gasp* tomorrow! It’s like band-camp for theater geeks. Except it’s inclusive…all the way down to those who harbor only a little geekitude way down deep inside. And if you find yourself making-out with one of said theater geeks, the plus side is that you’re unlikely to get your lip snagged on any headgear. Everybody wins!

I am, sadly, not performing this year (damn you, evil democratic lottery) – but will still be screaming “watch me!” in print, right on this here blog. It’s true! In keeping with the theme of The Greenroom as it stands, yet emerging from my narcissism-disguised-as-shoptalk, I will spend the next ten days seeing a wheelbarrow’s worth of shows and writing about everything in between the successes and failures of productions. I am not a reviewer, nor do I plan to act like one for the next ten days. My goal is to set judgment aside, observe, engage, and then publish it for all the world to see.

In all seriousness, I’m going to do everything in my power to unearth the driving force behind the audiences and actors and techies and volunteers who participate in this controlled chaos. I want to ask, and try to answer, larger questions about the role this festival plays in the Twin Cities and the U.S. as a whole. Mostly, I want to offer insight to folks who might attend the Ordway, but fear the dirty, unwashed, small-theater masses. Because we may be dirty, and we may be unwashed; but no sir, we are not small.

Let the wild rumpus begin!

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